Wednesday, June 12, 2019

Ethics and Technology (St. Nikolai Velimirovich)


By St. Nikolai Velimirovich

Originally, religion was the mother of ethics and technology. First of all, religion was a torrential spring flowing from hidden depths, ethics a life carrying river, and technology with the help of artistic channels, carried the water from this river into all the arteries of man’s life.

God announced to man the law of faith, the law of behavior, and the knowledge of technology.

By the directions of God, Noah built a boat that traveled one of the longest journeys in the history of navigation.

By God’s inspiration Bezalel was filled with wisdom in understanding, in knowledge, and all kinds of craftsmanship, to make artistic designs for work in gold, in silver, and in bronze, and in the cutting of stones for settings, and in carving of wood, that he may work in all kinds of craftsmanship. (Exodus 31:1-11)

Tuesday, June 4, 2019

How Should Christians Vote and to Which Political Party Should They Belong?


By Elder Epiphanios Theodoropoulos

"For here we do not have an enduring city, but we are looking for the city that is to come" (Heb. 13:14).

"Our citizenship is in the heavens" (Philip. 3:20).

Because, however, we are also citizens of the earth, and of this country, when the time comes for us to go to the polls, we should not be attached to situations or parties or people. No party expresses us. Every time, then, we should think what is the least evil for our country. We are to do this according to circumstances. Sometimes it could be one thing, another time it could be something else. We should vote with the principle: "Choose the lesser of two evils."

Thursday, May 30, 2019

"L'Agonie De Byzance" or "The Agony of Byzantium" (A 1913 Film About the Fall of Constantinople)


L'Agonie de Byzance or The Agony of Byzantium is a 1913 production that is counted as one of the best French films of the silent era. Made on the eve of World War I, it is an ambitious and lavish depiction of the fall of Constantinople to the Ottomans in the mid-15th century. The task of directing this mammoth production (even though the film runs to just 30 minutes, it counts as a superproduction for its time) went to Gaumont's (a major French film studio) most prolific director, Louis Feuillade.

Where L'Agonie de Byzance distinguishes itself most is with its impressively staged battle scenes, which are among the most ambitious depicted in cinema up until this time. Even though the camera is rigidly static and most scenes consist of long takes with minimal editing, there is a dynamic quality to the action sequences that really does convey a sense of the fury and frenzy of battle. The static set-up actually works to the film's advantage, making the spectator feel that he is standing on the periphery of the drama, watching history unfold from a privileged vantage point. It only falls down in the scene where the hoards swarming towards the camera end up having to split into two, taking a left or right turn to avoid crashing into an very expensive piece of filmmaking apparatus.

The quality of the set and costume design is also worth commenting on, since this is the most obvious sign of Gaumont's commitment to raising the bar by several furlongs. Although there are a few scenes where Feuillade had to make do with what is obviously a painted backdrop, most of the sets are remarkably solid and detailed, with false perspective used to great effect in several scenes. For a film that was entirely shot in the studio, L'Agonie de Byzance has a surprising realism about it that is rarely found in historical films of this time - you could easily think that at least part of it was filmed on location. Such is the visual impact of some scenes - for example, the one in which an army of sword-waving Ottomans surge through the city gates - that you can favourably compare them with what we find in more recent films, such as Kurosawa's Samurai films. L'Agonie de Byzance is shameless spectacle all the way, one of Louis Feuillade's main achievements.

Below is the French and English versions of the film:








Friday, May 24, 2019

Nikolai Gogol as a Religious Personality


Nikolai Vasilevich Gogol was born in 1809 in the Ukraine. His father was an amateur playwright who had a small estate with a number of serfs. From the ages of 12 to 19, young Gogol attended a boarding school where he became known for his sharp wit and ability to amuse his classmates. After school he worked as a government clerk.

He soon began writing memories of his childhood. His quaint depictions of the Ukrainian countryside marked his style and helped to make him famous. Gogol quickly gained fame and formed a friendship with the influential poet, Aleksandr Pushkin.

Sunday, April 28, 2019

A Village Easter: Memories of Childhood (A Story by Alexandros Papadiamantis)


A Village Easter: Memories of Childhood

By Alexandros Papadiamantis

Uncle Milios never spoke a truer word, when he said the good Christians living outside the town might end up having to celebrate Easter that year without a liturgy. In fact no prophecy was ever closer to fulfillment, for it almost came true twice — but happily God made the authorities see the light, and in the end the poor villagers, local shepherd-farmers, were judged worthy to hear the Word of God and eat the festive eggs.

The cause of all this was the busy little coaster that (supposedly) linked those unhappy islands to the inhospitable shore opposite, and which twice a year, when the season changed in spring or autumn, would almost invariably sink, and as often as not take the whole crew down with it. They would then put the post of captain up for auction, and each time some poor wretch, undaunted by the fate of his predecessor, was found to undertake this most perilous task. And on this occasion, at the end of March, as winter was taking its leave, the coaster had gone down again.

Saturday, April 13, 2019

Movie Review: "Cliffs of Freedom" (2019)


Cliffs of Freedom is a 2019 film that tells the story of an ill-fated romance between a young Greek village girl and a conflicted Turkish officer during the dawn of the Greek War for Independence against the Ottoman Empire in 1821. It was directed by Van Ling and co-written by Marianne Metropoulos, Van Ling and Kevin Bernhardt, based on a novel by billionaire philanthropist Marianne Metropoulos titled Daughter of Destiny. It stars many notable actors, such as Tania Raymonde, Jan Uddin, Raza Jaffrey, Patti LuPone, Billy Zane and Christopher Plummer.

Monday, March 11, 2019

A Conversation Between the Ascetic Father Makarios and Nikos Kazantzakis


In his autobiography Report to Greco, Nikos Kazantzakis describes his forty day sojourn on Mount Athos in 1914 with the poet Angelos Sikelianos. There he met Father Makarios, an ascetic, with whom he engaged in discussions about faith and doubt. Kazantzakis, who was heavily influenced by Darwin, Nietzsche and Bergson, would rail against the established Church, especially what he called its life-denying morality. Though he rejected the asceticism of Father Makarios, he respected his rejection of spiritual mediocrity. One conversation in particular went as follows:

Tuesday, January 22, 2019

The Evil Results of Unverified News and Bias


The real test is this. Suppose one reads a story of filthy atrocities in the paper. Then suppose that something turns up suggesting that the story might not be quite true, or not quite so bad as it was made out. Is one's first feeling, 'Thank God, even they aren't quite so bad as that,' or is it a feeling of disappointment, and even a determination to cling to the first story for the sheer pleasure of thinking your enemies are as bad as possible? If it is the second then it is, I am afraid, the first step in a process which, if followed to the end, will make us into devils. You see, one is beginning to wish that black was a little blacker. If we give that wish its head, later on we shall wish to see grey as black, and then to see white itself as black. Finally we shall insist on seeing everything -- God and our friends and ourselves included -- as bad, and not be able to stop doing it: we shall be fixed for ever in a universe of pure hatred.

- C.S. Lewis, Mere Christianity, (1952; Harper Collins 2001) 118.


Saturday, January 12, 2019

The Shocking Advice of Saint Paisios the Athonite to a Physician


In his book Holy Mountain (Αγίων Όρος), Metropolitan Nektarios of Argolidos refers to a certain physician who asked Saint Paisios the Athonite (+ 1994) the following question:

"Elder, there are certain patients that I don't know what to do with, whether I should send them to a priest or a doctor?"

He responded:

"You will see, that not all are for the priest nor are all for the doctor. One you will send to the doctor, another to the priest, and another to the bouzoukia*."

Wednesday, January 2, 2019

My Top Twenty-Five Movies of 2018 (and Ten Best Documentaries)


2018 is probably the year I saw the most movies ever in theaters, not only new releases but also old releases, seeing about 90-95% of all the movies that were newly released in theaters. And I don't even get paid to do it. With that being said, I think I can give a pretty good assessment of the top 25 movies in 2018, even though all art is subjective. These were my personal 25 favorites that stood out above the rest, despite the fact that it was a very good year in movies. In many ways it was very difficult to come up with this list, because very few if any movies really do stand out as the best of the best. In fact, until the moment when I wrote this list down, I had very little idea what I wanted in my top 25. It was hard enough narrowing things down to 50. Furthermore, this was a very good year for documentaries, and I really don't like including documentaries with movies, so I decided to compile a separate list of my top ten documentaries. Also, I'm only including movies and documentaries here that I saw in theaters, where I think a true movie experience can be experienced, and not by streaming or any other means. That being said, here are my two lists. Click on each film to read more about it.