By Maria Elena De Las Carreras Kuntz
The career of Frank Capra coincided with the golden age of Hollywood, and many of his films are recognized as classics. Still, most critics seem not to have noticed that Capra's work reflects a profoundly Catholic vision of reality, a vision framed by the Sermon on the Mount. Because his cinema does not have an ethnic Italian flavor, like the Irishness of film director John Ford, this Catholicism is often perceived as an addendum to a body of work primarily concerned with a celebration of American life and its democratic ideals.