The Prayer Rope and the Video Game

The elder Silouan the Athonite making a prayer rope, 

while young boys play a video game on their way to Mount Athos.

Saint Nektary of Optina and the Arts

Saint Nektary of Optina (Feast Day - April 29)

In 1876, Nicholas [later named Nektary] arrived at the Optina forest with a bundle swung over his shoulder, containing nothing but a copy of the New Testament. Many years later, the holy father recalled his first impressions of Optina Monastery: "Lord! How beautiful it is with the sun flooding the area from sunrise, and the flowers! Just as though in Paradise!" Nicholas was received by none other than Elder Ambrose, and his initial dialogue with this great sagacious elder produced such a deep impression that he remained there for the rest of his life. Elders Ambrose and Anthony (Zertsalov) became his spiritual mentors.

When he was in reclusion, Elder Nektary’s spiritual preceptors blessed him, after ten years of exclusive study of spiritual literature, to read secular authors and to study the secular sciences, obviously with the aim that he acquire that knowledge which would enable him to help lead the restless souls of the groping intelligentsia to salvation. He studied science, mathematics, history, geography and classical literature, both Russian and foreign. He spoke to his visitors about Pushkin and Shakespeare, Milton and Krilov, Spengler and Hegart, Blok, Dante, Gogol, Tolstoy and Dostoevsky. In his only hour of rest after dinner he would ask to have read aloud Pushkin or some fairy tales—either Russian or the Brothers Grimm.

Robert Powell and His Portrayal of Jesus

By John Sanidopoulos

One of the most pivotal points in my complete conversion to Christianity happened in 1990 during Holy Week. This happened to be a year in which both Eastern and Western Christians celebrated Easter together. Being only 14 years old at the time, this was rare and the first in my memory, and it finally offered me the opportunity to celebrate Holy Week and Easter with the majority of the American people.

It was during this time that I first saw Franco Zeffirellis' 6-hour miniseries Jesus of Nazareth (1977) on television. It absolutely captivated me. I would watch it before and after going to church with my family over the three days it aired, and though by this time I was somewhat familiar with biblical prophecies, it was through this miniseries that I began to study the Old Testament prophecies about Jesus. Whenever a prophecy was mentioned, I would write it down and enthusiastically search through my Bible to find the references (this was before the days of the internet). What also stood out to me in this film was the rare reverential and dignified tone to the film and the absolutely superb acting of Robert Powell, the actor who played Jesus.

"The Donkey" by G.K. Chesterton

Below is a poem by G.K. Chesterton which he wrote regarding Christ's entry into Jerusalem from the perspective of the donkey He was riding.

The Donkey

By G. K. Chesterton

When fishes flew and forests walked

And figs grew upon thorn,

Some moment when the moon was blood

Then surely I was born.

With monstrous head and sickening cry

And ears like errant wings,

The devil’s walking parody

On all four-footed things.

Photios Kontoglou on Goethe, Kazantzakis and Venezis

Nikos Kazantzakis

By Dr. Constantine Cavarnos

Next we spoke briefly about Goethe, Kazantzakis and Venezis. I was interested in knowing his opinion regarding them. Goethe's name was mentioned as we were talking about Kazantzakis. It became clear that Kontoglou did not share the enthusiasm of many contemporary Greek intellectuals for the famous German writer. The philosopher-theologian Nikolaos Louvaris, for example, refers to Goethe repeatedly, and in fact more often than to any other writer, always approvingly, in his two-volume work Symposion Hosion (Symposium of Holy Men). Kontoglou, on the other hand, refers to him only once in his books, in the Preface of his first book, Pedro Cazas. For Kazantzakis, as I noted in an earlier chapter, he had no use. Photios remarked that both Goethe and Kazantzakis are writers with pompous expression, ostentatious, ever endeavoring to impress others with their assumed wisdom. The excessive admiration of Goethe was, according to Photios, another example of xenomania of contemporary Greeks.