From the Prayer Rope to Scrolling...

I know, I know — months have passed since the last time I was deemed worthy to write you a couple of lines, but spare a thought for me too, the humble Sexton, and what I endure without your knowing it…

Although my stomach is still conducting difficult negotiations with the Paschal lamb and the tsoureki bread, I found a little time to bring up something an elderly Metropolitan confided to me between bites of cheese and pear.

“Sexton,” he says to me, “I watch with admiration — and a little bewilderment — the newfound flourishing of the ‘digital shepherds.’”

I confess I was left dumbfounded. So I seized the opportunity to ask what the “poet” — or rather the Hierarch — meant.

From Ben-Hur to the Fall of Constantinople: Lew Wallace, Faith, and the Limits of Historical Imagination

The literary career of Lew Wallace, who had previously served as a Union general in the American Civil War, reveals a remarkable development in both religious reflection and historical interpretation. His two most ambitious works, Ben-Hur: A Tale of the Christ (1880) and The Prince of India; or, Why Constantinople Fell (1893), are not merely historical novels; they represent distinct stages in Wallace’s engagement with Christianity. The former emerges from a personal search for faith and expresses theology through narrative experience, while the latter attempts a sweeping interpretation of world history and religious decline. Taken together, these works trace a movement from lived religious encounter to abstract historical speculation—a movement that ultimately reveals both Wallace’s strengths and the limits of his perspective, particularly in his understanding of Orthodox Christianity and the Byzantine world.

To understand this development, one must begin with the circumstances that gave rise to Ben-Hur. Prior to writing the novel, Wallace was not firmly grounded in Christian belief. A decisive moment occurred in 1876, when he entered into conversation with the noted agnostic lecturer Robert G. Ingersoll. Ingersoll’s confident skepticism exposed Wallace’s own uncertainty and lack of theological clarity. Confronted with his inability to articulate or defend Christian doctrine, Wallace resolved to undertake a serious study of Christianity. Rather than producing a theological treatise, however, he turned to narrative as his medium.

A New Television Series on the Life of Saint Joseph the Hesychast Coming Soon

 

Aris Servetalis is preparing to return to the small screen on Greece's Mega Channel, nearly 25 years after his last television appearance. He will star in a new religious series, portraying Saint Joseph the Hesychast, one of the most significant figures of modern Orthodox monasticism.

The role of the Saint is said to be depicted in two age phases: the young Joseph will be played by Tasos Lekkas, while Servetalis will portray him in his mature years. Rumors suggest that Pygmalion Dadakaridis and Nikos Gkelias have also already joined the cast.

The series, which will consist of 12 episodes, is scheduled to begin filming after Easter, with the aim of airing in the next television season. The script is written by Giorgos Tsiakkas (who also wrote the script for the television series on Saint Paisios the Athonite), and the series is directed by Stamos Tsamis (who also directed the television series on Saint Paisios the Athonite). Production is supported by the Monastery of Vatopaidi and the Institute of Saint Maximus the Greek, as was the case with the cinematic adaptation of the life of Saint Nektarios of Aegina.

Screens in our Lives and in Society (Metropolitan Hierotheos of Nafpaktos)

Screens in our Lives and in Society 

 

By Metropolitan Hierotheos of Nafpaktos and Agiou Vlasiou

Our contemporary life, especially that of young people, is closely connected with screens — those of television, cinema, computers, tablets, smartphones, and so on. Screens have deeply penetrated our lives and our society. This too is a product of electrical energy and modern technology. Their use is necessary and beneficial, but their overuse creates many problems for our health and our social interaction, because human social relationships are also disrupted. It is a common phenomenon to encounter groups of young people all looking at their smartphones and not conversing — or conversing with one another through messages — while they are together.

In a main article of a newspaper (TA NEA, 4 November 2025) titled “Screens,” the danger of excessive screen use is presented, especially among children and adolescents. It is noted at the outset that “mobile phones and tablets have unfortunately become an inseparable part of children’s everyday life.” The article then presents the results of a study by “the unit for the treatment of young people’s addiction to mobile phones and tablets" at the General Children's Hospital Panagioti and Aglaia Kyriakou, according to which a high rate of screen addiction among children is observed. Specifically, “78% of minors aged 5 to 12 use the internet, while in the age group of 10 to 12 the percentage reaches 90%.” Adolescents in particular “spend six hours a day in front of a screen, when the recommended maximum exposure time is two to three.”

“I Write As It Comes Down To Me”: Papadiamantis as a Poet and the Ethos of Inspiration. 115 Years Since His Repose.

Photograph of Alexandros Papadiamantis by Pavlos Nirvanas at Dexamenis Square in 1906.

By Stelios Koukos

“I write as it comes down to me.” How tragic —  and how beautiful! Tragic for a professional journalist when he is asked to write an article and he gets blocked, loses his bearings, doesn’t know where to begin or where to end; and a blessing when it comes to a poet, who is guided by inspiration to write something within the personal form he has established for himself.

This is also the case with a prose writer of the stature of Alexandros Papadiamantis, who uttered the above phrase. It was particularly tragic for him to be asked to improvise, in a sense, on the spot, on a topical subject, writing an article to be published in a newspaper. Nothing could be more shocking for a poet — such as the great writer from Skiathos! Even for the same man who worked in the press as a translator from English and French newspapers.

Nevertheless, Papadiamantis was probably put in an awkward position before his employer, the legendary Constantinopolitan publisher Vlasis Gavrielidis, who asked — or rather entrusted — him with this task. He believed that Papadiamantis would be the most suitable person to write it. Perhaps he even thought that Papadiamantis would express the “line” of the publisher and the newspaper.

On Religious Cinema

 

By His Eminence Metropolitan Saba (Isper)

With the ongoing rise and spread of movies and television series, the production of religious films follows this trend. The approach to depicting religious events on screen varies depending on the production entity behind them. As the "seventh art"[1] developed, the number of production houses multiplied, and cinematic technology reached levels close to the fantastic. Because religious matters are among the most significant fields of human concern, across religions and sects, it is natural that the dramatic arts would follow religious themes though for different reasons.

Like any art form, religious art is used for purposes of evangelization, education, documentation, and to promote the beliefs upheld by the producers. Neutrality is rare, especially in this field. In our times, both private and public institutions, even official bodies, compete to present this type of art because it attracts large audiences and stirs the emotions of the religiously inclined in general. Thus, it is now almost impossible to find a screen that does not occasionally present something that touches on religious themes, especially in these troubled days, when appealing to religious emotions has become widely popular.

Bach's Christmas Oratorio (Metropolitan Chrysostomos of Mani)

Bach's Christmas Oratorio 

By Metropolitan Chrysostomos of Mani

Johann Sebastian Bach was born in 1685 in Eisenach, in central Germany, and died in 1750 in Leipzig — indeed, blind. Shortly before his death, he dictated his final musical piece, whose theme was: “Before Your throne, Lord, I now draw near.” As is internationally known, he was a supreme composer who found rich inspiration in the texts of Holy Scripture.

Among his artistic works is also his noteworthy creation, the Christmas Oratorio. Bach has bequeathed to us three oratorios: the Christmas Oratorio, the Easter Oratorio, and the Ascension Oratorio — if we exclude the three surviving works titled Passions (according to Matthew, Mark, and John), which, although written in the oratorio form, together with other similar works came to constitute a distinct genre bearing the classical name Passions, such as those by Schütz, Telemann, Handel, and others.

On World Mental Health Day (October 10th)

 

By Fr. George Dorbarakis

October 10th of each year is considered a day dedicated worldwide to mental health. It was established in 1994 by the World Federation of Mental Health and the World Health Organization, in order to raise public awareness of mental illness issues. This is because mental illnesses are constantly increasing, to the extent that experts are talking about a global "epidemic" of mental disorders, such as those related to depression or alcohol consumption. And in our country, things are not better. There are statistics that show that 10 to 12% of the total population of all ages suffers from mental illnesses, while as for adolescents, there is their expressed statement (2 out of 5) that they are not satisfied with their lives and do not feel generally "well".

The Hatred of the Internet

By Metropolitan Hierotheos of Nafpaktos and Agiou Vlasiou

The newspaper Ta Nea (5/19/2025) conducted an investigation titled "The Keyboards of... Hate", in which the data of the Ministry of Citizen Protection on cases of abusive speech on social networking media were presented, and "testimonies of victims of abusive speech" with the consequences in the psychological sphere are recorded. In fact, "the perpetrators act with the belief that they will not be prosecuted."

In the main article of the same newspaper simply titled "Hate" it is written:

"In recent years, a new type of hatred, extremely dangerous and complex in its forms, has spread with disproportionate consequences. The hatred of the Internet. Today's research by 'NEON' not only describes its versions. Not only does it emphatically note its effects. But it also underlines the current legislative framework and the institutional shield that we have or must expand against the carriers of this hatred.

TV Series - "Saint Paisios: From Farasa to Heaven" (Seasons 1 and 2)

Saint Paisios: From Farasa to Heaven

Season One (English subtitles)

Episode 1

Episode 2

Episode 3

Episode 4

Episode 5

Episode 6

Episode 7

Episode 8

Episode 9

Cast and Screenwriter of the Television Series About Saint Paisios Visit the Metropolis of Nafpaktos

On the 9th and 10th of July, His Eminence Metropolitan Hierotheos of Nafpaktos and Agiou Vlasiou was visited by the screenwriter of the successful television series about Saint Paisios “From Farasa to Heaven,” Mr. George Tsiakkas and his wife, actress Christina Pavlidou, who played Saint Paisios’ mother, Eulogia, with three other friends of his.

On the morning of July 9, they visited the Offices of the Sacred Metropolis, where they discussed with His Eminence Metropolitan Hierotheos about Saint Paisios, whom he met personally and wrote two books about, such as “Saint Paisios the Athonite as an Empirical Theologian” and “Saint Paisios the Athonite: An Autobiography”, as well as drafting the petition for his canonization to the Ecumenical Patriarchate as early as 2004, ten years after his repose.

"Life Is Not Digital" (Ecumenical Patriarch Bartholomew)

Ecumenical Patriarch Bartholomew of Constantinople was interviewed on May 25th 2025 by George I. Androutsopoulos, Associate Professor of Law at the University of Athens, which was published on Sunday, May 25, 2025, in the University of Athens newspaper, “Vima tis Kyriakis”. We quote below a portion of the interview:

Question: I thank you very much, on behalf of the university community, for the honor and opportunity of our conversation. Let us start with the young people. One - the positive - side is that the students of our University record excellent performance when they continue their studies abroad or participate in international competitions. The other, however, is that our children and young people today spend a large part of their time on Instagram and TikTok, while the rise in the phenomena of violence among young people is impressive. Have the standards and the path of prudence and virtue been lost in our days? How could the University and the Church contribute to a restart?

Answer: Christ is Risen! Thank you very much for the invitation. I am familiar with the newspaper of the University of Athens and I congratulate you for the initiative to create this forum for dialogue and reflection, but also for the effort to highlight the multidimensional work that is being done in your historic educational institution for the benefit not only of the academic community, but also of the entire Greek society.

Movie Review: "The King of Kings" (2025)

 

The King of Kings

Director: Seong-ho Jang

Producer: Seong-ho Jang, Woo-hyung Kim

Based on: "The Life of Our Lord" by Charles Dickens

Screenplay: Seong-ho Jang

Cinematographer: Woo-hyung Kim

Music:     Kim Tae-seong

Starring: Oscar Isaac (Jesus Christ), Kenneth Branagh (Charles Dickens), Uma Thurman (Catherine Dickens), Mark Hamill (King Herod), Pierce Brosnan (Pontius Pilate), Forest Whitaker (Peter), Ben Kingsley (High Priest Caiaphas)

Production Company: Mofac Studios

Country: United States

Initial release: April 11, 2025

Run Time: 101 minutes

Every year around Christmas for at least the past 30 years I have read "A Christmas Carol" by Charles Dickens, and ever since I discovered he wrote "The Life of Our Lord" about 15 years ago I have included it among my annual or semi-annual readings after I read "A Christmas Carol", just like the Dicken's family would do after Charles Dickens passed away. I always thought the two should be published together, at least, and perhaps even include a few of his other Christmas tales.

Movie Review: "The Last Supper" (2025)

The Last Supper

Director: Mauro Borrelli

Producer: Shawn Boskie, Ivan Cohen, Manu Gargi, Ken Halsband, Michael Scott

Screenplay: Mauro Borrelli, John Collins

Cinematographer: Vladislav Opelyants

Music: Leonardo De Bernardini

Starring: Jamie Ward as Jesus Christ, Robert Knepper as Judas Iscariot, James Faulkner as Caiaphas, James Oliver Wheatley as Peter

Production Company: Pinnacle Peak Pictures, Canyon Productions, Wellspring Entertainment, Skyrun Pictures

Country: United States

Initial release: March 14, 2025

Run Time: 114 minutes

Creators of Film "Man of God" Currently Working on New Film "Moses the Black"

On the heels of the success of Man of God, the English-speaking international hit on the life of the Greek saint Nektarios of Aegina, with a cast of acclaimed actors, including Golden Globe winner Mickey Rourke, writer-director-producer Yelena Popovic and producer Alexandros Potter recently launched Simeon Faith, a fund that will finance and produce talent-driven, highly marketable films with strong elements of faith for a global audience. Simeon Faith is backed by a network of cinephiles and investors that recognize the importance of investing in impactful content in a media-dominated world.

The fund aims to develop, finance and produce one to two films per year over the next four years, with a focus on hard-hitting, relevant and meaningful stories that will bring the lives of the saints and messages of faith to the big screen. The first film on the slate currently in development is Moses the Black, a story of a gangster in modern-day Chicago inspired by the incredible story of repentance of the fourth century saint of the same name. You can learn more about Saint Moses the Black here.

Fyodor Dostoevsky's Meeting With Archbishop Nicholas Kasatkin the Missionary of Japan

By Michael K. Makrakis

Although Dostoevsky was born in Moscow (30 October 1821), he spent his life in St. Petersburg since May 1837 changing many times his place of abode. His last address was on Kuznechny Lane, near the Church of Vladimirskaya. This is where he received the invitation of the Society of the Friends of Russian Literature to attend the unveiling of the Pushkin bust in Moscow and give a speech. It was April-May of 1880. Dostoevsky was then writing his last book "The Brothers Karamazov". Although he did not want to interrupt his work, his huge love for Pushkin made him finally decide to travel to Moscow.

He left on 22 May. His wife, Anna Grigoryevna, who accompanied him to the station, begged him to write to her every day describing all the details. This is why he composed the letters covering the period he stayed in Moscow: from the next day of his arrival (23-24 May) until the 8th of June, 1880, the day he gave the speech for Pushkin. This speech caused so much upheaval that it was characterised as a true "historical fact". As he writes in one of his letters (13 June 1880) after his speech "the people started sobbing and embracing one another swearing to be better in the future."

The Fundamentalism of “Political Correctness”

The Fundamentalism of “Political Correctness”

December 15, 2024

By Metropolitan Amphilochios of Kissamos and Selino

I read somewhere and I agree that in our times we are experiencing a form of “democratic” dictatorship against thought and expression. It is about the one-sided interpretation, according to one's whim, of the term “politically correct”. It is obvious, commonplace and self-evident that no one has the right and can insult or commit wrongdoing against diversity (political, social, gender, religion, origin, language, etc.), as any form of legitimacy of the different that leads to racism which is reprehensible and unacceptable. After all, the rejection of the different, because it is different, is a manifestation of racist behavior and mentality.

And while we agree on the need to protect the correct everyday behavior of citizens, within the framework of the favored state, what is strange and difficult to understand, much less accept, and raises many questions, is the fact that, as far as Christianity is concerned, the term "politically correct" seems to be unknown or rather not applicable by all those who defend its correctness and necessity. When, for example, works of art, films, posters, cartoons and everything else are employed by modern bad craftsmen of our times, who disrespect and ridicule the sacred symbols of the faith of Christ (the symbol of the Cross, the sacred face of the Virgin Mary, the face of Christ, etc.), with the aim and goal of deconstructing the faith, then not only is the logic of "political correctness" not applied, but anyone who raises a different discourse, point of view, opinion and voice, from that which serves "political correctness", is targeted and attacked as an alleged "dark-minded", "homophobic", "Christian Talibanist", etc., by all its defenders.

Actress Juliette Binoche Acclaims Saint Paisios the Athonite and Byzantine Iconography In Award Speech

The 65th Thessaloniki Film Festival welcomed two of the most prolific stars of contemporary cinema, Juliette Binoche and Ralph Fiennes, on Friday, November 1st 2024, at the Olympion theater. The two renowned actors received the Festival’s honorary Golden Alexander award prior to the screening of the monumental film The English Patient (1996), which marked their second collaboration (their first was in 1992's Wuthering Heights) and garnered Juliette Binoche an Academy Award for Best Supporting Actress, and Ralph Fiennes a nomination for the Academy Award for Best Actor.

The thank you speech of Juliette Binoche was particularly interesting for Greek Orthodox Christians, because she opened with the following words:

"Your skies and seas are an inspiration in my life - in our lives. Your words and thoughts through Sophocles, Homer, the great philosophers and the saints, especially Saint Paisios, are feeding my path and heart. Thank you for what you give to the world (applause). I had the most amazing day today in Thessaloniki (applause). Visiting your monasteries, walking in your streets, feeling your stones and trees and eating your bread, fish and vegetables and admiring your Byzantine Treasures, like icons. What a beautiful journey!"

 

A few years ago in Greece a former MP Petros Tatsopoulos caused a major uproar when he publicly mocked a Greek tv series based on the life of Saint Paisios the Athonite as a work of fiction, since it portrays him working miracles and having visions, which he does not believe in, and he criticized such depictions as keeping Greeks in the Middle Ages. Now, just a few days ago, a renowned foreign actress from France received a prestigious award in Greece, and not only acclaimed Saint Paisios, but put him and other Orthodox Christian saints in succession with Sophocles and Homer, and with them spoke of her admiration for the monasteries of Thessaloniki and the treasures of Byzantium, especially its iconography. Essentially she sees the ancient Greek spirit and Orthodox Christianity are an unbroken historical continuity that proclaims the greatness of Greece to the world. And this isn't just an ordinary actress saying this, but Juliette Binoche is the first actress to win the European "Best Actress Triple Crown" (winning the Best Actress awards at the Berlin, Cannes & Venice film festivals), as well as the previously mentioned Academy Award, among many others.

Movie: "Saint Chryse - A Ray of Light in the Years of Slavery" (2023)

Saint Chryse - A Ray of Light in the Years of Slavery

Directed by Nikos Katsoulis

Produced by the Metropolis of Edessa, Pella and Almopia

Released in 2023

In Greek with English subtitles

"Saint Chryse - A Ray of Light in the Years of Slavery" is the true story of the martyrdom of Saint Chryse, a young girl who lived in Slatena, Almopia (present-day village of "Chryse") in the late 18th century.

The plot of the movie takes place in 1795, in the village of Slatena. It is winter, so the young Chryse, a devout Orthodox Christian, goes to get firewood. Chryse is abducted by a local Muslim man who is infatuated with her. The young woman endures terrible suffering over the following nine months. She consistently undergoes physical and mental abuse since she won't accept Islam and wed her kidnapper. On October 13, 1795, she is horrifyingly murdered for her refusal to compromise her faith in Christ.

The "Policing" of our Lives (Metr. Hierotheos of Nafpaktos)

By Metropolitan Hierotheos of Nafpaktos and Agiou Vlasiou

Society needs the police to impose order and balance on it, but man is uncomfortable with the policing of his personal life. Unfortunately, however, policing is increasingly moving into the private and internal areas of man, not necessarily by the police, but by modern technology.

We all know that phones, mobile and fixed, are monitored for social and national security. Also, various voices are heard about the chips that are inserted everywhere, even in ID cards.

However, the policing is done in ways that we do not suspect, since the mobile "smart" phones determine at least the place of our stay, and the GPS that we use for our path to the exact destination, tracks us with precision.